An iconic cult figure in American pop music, Emitt Rhodes had a short career as a recording artist, but his solo debut was a brilliant exercise in Beatles-styled pop/rock that would influence generations of artists on the pop underground. Born in Decatur, Illinois on February 25, 1950, Rhodes spent most of his childhood in Hawthorne, California, and began his music career when he was 14, playing drums with a local rock band called the Emerals. A dispute with his bandmates lead to Rhodes leaving the Emerals, but he soon returned and the group adopted a new name, the Palace Guard. Decked out in matching red guardsman’s uniforms, the Palace Guard briefly served as a backing band for Don Grady (who played Robbie Douglas on the TV series My Three Sons and later played with the group the Yellow Balloon) and scored a local hit with the tune “Falling Sugar,” but when Rhodes learned to play guitar, he left the Palace Guard in 1966 to form a new band.
Teaming with three high-school friends, including guitarist Gary Kato, Rhodes became the guitarist and singer with the Merry-Go-Round, and once Rhodes began showing off his talent as a songwriter, the group recruited drummer Joel Larson (ex-Grass Roots) and bassist Bill Rinehart (formerly with the Leaves) and recorded a demo tape that attracted the attention of A&M Records, who signed the group to a record deal. In 1967, an overdubbed version of one tune from the demo tape, “Live,” became a major chart success in Los Angeles, and a second regional hit, “You’re a Very Lovely Woman,” soon followed, and Rhodes’ precocious songcraft and McCartney-esque vocals made him the talk of the L.A. music scene. An album, simply titled The Merry-Go-Round, was released in late 1967, but further singles didn’t match the success of their early releases, and Rhodes, still a teenager, felt stifled and wanted complete control over his music. The Merry-Go-Round ground to a halt in 1969, and Rhodesset up a makeshift recording studio in a shed in the backyard of his family’s home.
Recording and producing his own songs and handling all the instruments himself, Rhodes recorded four songs that landed him a deal with ABC/Dunhill Records, and his self-titled solo debut was released in 1970. While sales of the album were modest, reviewers were impressed and the single “Fresh as a Daisy” became a minor hit. The album received enough positive notice that A&M dusted off a batch of Merry-Go-Round tracks and released them as an Emitt Rhodes album,The American Dream. Despite this, ABC/Dunhill were eager for a second album; however, their contract with Rhodescalled for a new album every six months, and Rhodes’ one-man-band approach made it all but impossible for him to write and record a full album while maintaining his quality standards in that space of time. Rhodes was late in turning in his second album for ABC/Dunhill, 1971’s Mirror, and while it was a fine album, it wasn’t quite the instant classic of the debut.
The dispute between Rhodes and his label became bitter, and Rhodes’ disappointment was audible on this third ABC/Dunhill album, Farewell to Paradise, which didn’t appear until 1973. Rhodes bowed out as a recording artist, and became a staff engineer for Elektra Records, and though he kept recording music, none of it was released. In 1980,Rhodes began putting together a new album, but when the A&R man working with him on the project was fired, Rhodes abandoned the release, and though Rhodes completed an album in 2000 for Rocktopia Records, the company went out of business before it could be released and the recordings sank into legal limbo. In late 2015, Omnivore Recordings announced the release of a new Emitt Rhodes album, and for the first since his recordings with the Merry-Go-Round, he recorded with a full band; featuring guest appearances from Aimee Mann, Susanna Hoffs, Jon Brion, Nels Cline from Wilco, and Roger Joseph Manning, Jr. and Jason Falkner of Jellyfish, Rainbow Ends was slated for release in February 2016.